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DREYFUS "THE SOCIETY OF JESUS" / ORLANDO Mazeyres OSWALDO GUILLEN


"They say there
a world of temptation, there is a world

candies shaped like hearts ...

say there is" good "" bad, "say there
"more or less,"
say "something must have", and not many have
"Andrés Calamaro

" If you dare, then you know: Put some red color, without being cumbersome or phosphorescent be very striking. The rest is not important. " This was as, from game to game, started this intimate story, nevertheless, still be written.
At first, Martin was doing it for fun or something similar to it (who knows what hides the soul of the people.) Then, as he liked the idea of \u200b\u200bamassing money to go "down the generosity of the night ', and soon after launched in these LIDES, to be able to buy the magnificent Kawasaki both frighten.
sometimes on Fridays, but especially on Saturday night, with the red garment of rigor-pants, sweaters, scarves, shawls, were betting on a portal of the Plaza de Armas and, while sucking a cheap cigarette, looked for a car that 'tokens' to stop.
"Most are widowed aunts, horny or unsatisfied", had told me in great detail, and in more than one occasion, as we shared our good pitchers of beer out of high school computer science, "others, however, they just want you finish the run and in his hands, saying that the chilly semen is manna for wrinkles. The more adept you are asked to do so in his own face. Seriously, and without pity: to ejaculate in front of their faces. That depends on you and how much they are able to offer. But to be honest, there are few attractive ... Nearly all are killed, then you have to stimulate your thinking about rich or thin, if you want, thinking about your own skinny ... so you can get, if not for the pure. "
- And more or less how much they pay? "I began to inquire with feigned disinterest. "That's very relative, Chinese. Some are sent with a hundred against lucas or more. But if you have a bad night, you can find old stingy offer you and only twenty chifita handles: so are some of starts! But, I repeat, not all want sex. There are ladies who just touch you above, do not even suck it, just rub against you, they are heated, they say bad words, and charge, do not you seems facilazo? The night is the best school. That's why telling these little details I'm saying very little, or nothing: on the court are the roosters. Will not you try?
I was going through economic hardship. I had no way to pay the rent of the room and had just left school ("leave" is a euphemism, I had driven by my very poor academic performance).
When I saw my friend debuting the bike, I thought that I was entitled to access to those little luxuries that little by little, they were increasing: "But, Martin ... There are places that creeks Plaza de Armas? There you are with anyone. "Sure, there are full points throughout the city, gil. For example, in the avenue army, or Airplane Park. I told you, sometimes the place is not important, what matters is the facade, the hook, crazy. A good red sweater and a face of an angel of missions you can take a snap. I do not know, "he said, overcome by this fear that makes us unknown. Like ... "As you are missing eggs: it is normal, I went through the same thing! Among gypsies we will not read the letters.
was true: my need was great, but I lacked the courage to venture into what Martin called the "scene of the night Arequipa", that it provided them enough income to dress fashionably and start living like kings.
* * *
One weekend I drunk in a bar on Avenida Venezuela. As I wanted to follow, I wandered by chinganas is in the vicinity of the UNSA looking for a friend or acquaintance. There was no one, pure face unknown. It was very cold and did not bring a sweater. I crossed Independence Avenue and came to recognize some dough vendors approached me quickly. Speed \u200b\u200bup again, went through La Salle and the Twentieth Century crossing I noticed that all positions were closed. In consulting my watch I realized that they were more than eleven at night.
do not know what led me to insist on this attitude wandering dragged me to the corner of the church of La Compañía, with the Plaza de Armas. Then I stopped to rest, because they hurt the heels, unequivocal sign of my old heel pain. I looked for a cigarette in my pockets and found nothing but two coins twenty cents. I was the man of world missions.
"The Society of Jesus, I thought looking at the facade of the church and remembering that lost faith misfortunes and vexations of art:" Nothing can happen to me, I'm in the company of Jesus. "
In that moment, I felt that behind me, a car stop. Flipping noticed I was a Toyota Yaris modern tinted windows. That's when I discovered that the pole was blessed wore color that was the delight of my friend Martin, ie, red: the same as my old lady had given me on my birthday, "This color suits you very well, little boy. "
The driver's seat window was descending slowly and gradually, I was able to recognize the profile of a guy who was nearing sixty. "I offer you 50 soles for twenty minutes, something fast because I have little time," he said looking at the pole. Is it all right or how we do it? - Sorry, sir, "I replied, confused, trying to digest the proposal. I did not hear well, what I said? Peremptory
A flashback came to my aid. Sure, it was Martin!, Reminding me, "to be a truly freight, a freight with all of the law, you must be willing to open your mind. In other words: play with both feet, "you catch or pass it to you clean? Sometimes they're guys, old Arriola planted to you the obstructions and with whom you can draw up a basic salary in one night. I'm not exaggerating, those are the most spoiled. Open-minded, insane, the rest is arranged in conversation, because sometimes they want to break your ass. It hurts a little, but everything is on the cards. " "Oh, then you want more, "he said, unperturbed, and pointed to the passenger seat. Go up and fix it, do you think?
I started telling this story yet to be written because I am going to the car. Yes, I'm doing a terrible fear. What are you thinking? In everything: my mom, my girlfriend, Martin and their fucking tips.
outcrop some pictures of Mystic River and I think the old man driving this beautiful car, then sodomized me drown in the Rio Chili. But more to fear from the driver or even death, think about what steps should I take to rebuild my life and not disappoint my parents, 'Sorry, sir, " I tell her anguish, "I can not, never have. Best under me. " He nods eagerly, draws a vague gesture of disappointment before braking. I noted the street and thus gives me another chance. Perhaps the last.
-The Society of Jesus, "I say to myself, and I swear that I will continue writing stories when the reasons are less ungrateful.
A motorcycle passes by my side. But not Martin. He should go elsewhere.

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Chanover: POETRY VS. NEW POETRY BOOK

Chanover Oswaldo poetry (Arequipa, 1953) is of high quality. Among his books of poetry, clearly highlight hero and their relationship with heroin (1983) and Study on the action and passion (1987). His work is characterized by the creation of characters and evocative narrative tone, so that assimilated the English language colloquialism and sparingly through the filter of a very personal style. Just seen the light solar plexus (Arequipa: Coven, 2010, 75 pp.). The project is very interesting to discuss poetry with science. The book refers to "mirror neurons", DNA, the theory of constant missteps, the evolution of the brain, among other topics are linked to the contemporary development of scientific discourse. Using parentheses, the speaker tries to establish a poetic distance that allows prosecution's contribution to contrast science with everyday reality and stark.
The result, obviously, does not correlate with the ambitious initial project. As a reader, I feel that poetry loses intensity to be, in this case, something subject to scientific data. Perhaps lacking the use of irony to distance the demystification rather cold tone that prevails in the verses. It is perceived that is Chanover in solar plexus, more concerned to follow the thread of the discourse of science and leaving aside for the moment, the possibility of moving to its receptors. However, there are some notable poems as "heroic efforts (of spirit):" On a moonless night / We do / with the cornea / lens with / With the eyeball / retina (limited to the rainbow) is a detector / What is the nature of the stars? / Are their skin radioactive? / Is there something (miraculous) in such a nebula? " (P. 43). Here you see how metaphors enliven reflection rooted in the evolution of science.
Hopefully in their next books, Chanover resume level of stem poet and give us lines like those of The hero and his relationship with heroin , notable poems of the eighties.

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SCIENCE OF CARLOS LOPEZ MARCO DeGregorio


poetic work Carlos López Degregori (Lima, 1952) has been cemented over time. His relentless search for the right word, his assimilation of the symbolist poetry of suggestion and imagery of surrealism heir are an obvious testimony to how this poet has matured since his first books, poetry until a verbal intensive but that does not fall into the secrecy (Synonym, sometimes rhetorical) and also prevents excess prosaísta. A great reader of the poets of the fifties and persistent grower prose poem, Lopez is still awaiting a thorough reading of his poetry whose contribution to contemporary Peruvian poetry has not been calibrated in its true dimension. Specialized literary criticism is indebted to him. No single entire book that focuses on the study of this writing. There are trials and approximations only fragmentary: we need an investigation to account captivating tour of a poet who has concocted and nine books and this is the mark of an unwavering faith in word and a persistent exercise of making literature.
I have on my desk A table in the deep woods (Lima: Peisa, 2010). I just read the poems. I read first days after its presentation that was given by Chueca and Eduardo Luis Chirinos. I must confess that his words have not lost, for me, its initial freshness. The text captures the reader from the first page. I suspect it is for a range of reasons: one is the musicality of the word. If something does not sacrifice Lopez is the rhythm of his poetry that is maintained through a picky spelled the lines of the poem and alternating, very well conceived, from verse short and long-term. The reader feels the breaks that have been meticulously thought out and laborious job. Another reason is the simplicity that is hard to breathe in A table in the woods ... I would say it is a deceptive simplicity, because if one inquires about the meaning of poetic discourse is perceived as complex, backstage, hovering just at the depth of the verses. A third issue worth highlighted is reflective maturity (ie, a long way of life) that emerges from this collection. It seems to be with someone who has not only lived long, but has thought long and hard about the problem of human society.
"A stone boat" may sound a little more, the outlook: "I'm a repeater / Everything you say write it down with loving exactitude / weighing-sense strand. / / When you sleep I talk to you as you sleep. / When you scream advance the words / that dare not utter. " This picture of me on the "you" set not only an image of two lovers who are the front and back of a single currency, but the conception of how the subject foreshadows what is to pronounce, with quivering lips, the other. That kind of dialogue in advance transforms the poem in praise of the word of others. The fact of writing down the possible words of "you" set the thickness of desire and its position in the cosmos.
One of the most evocative poems of the book is "Pulse" which describes the scene to rest her head on an airplane window while this is moving at 30000 feet. I wonder what emerges in the self reflection in the middle of the night? The humanization of the "night owl", the fuselage, the lights on and off, open the way to a deep reflection on the transience of life. Metaphors
that overlap one after another. Similes that seem endless. Narrative touch. Measure, but also intensity. Numerous successes in this remarkable collection of poems by López Degregori.

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Think Have Cysts Throughout My Body

Blood Drop

damn
curse you more than you're already playing with my life
giving
illusions illusions
then show your true
destroy me and those around me
you will go down with me before you do it.

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MARIO VARGAS NOBEL PRIZE FOR LITERATURE LLOSA


The news comes from Stockholm. The Swedish Academy finally decided to give the Nobel Prize for Literature 2010 to Mario Vargas Llosa . was the only award that had been given to the author of The Feast of the Goat . The writer has every merit Arequipa for the coveted award. Let me highlight three. First, the unique quality of such novels as Conversation in the Cathedral , The green house or War doomsday , especially in regard to masterly handling of narrative structures and knowledge of the techniques of the contemporary novel. A great reader of Flaubert and the American novel, he learned to take the realistic belief emphasizing the idea that the novel is a total art covering different scenarios and situations: he has some poetry, drama and epic. The writer weaves lies metaphorically illuminate understanding of social and political reality of Latin America, which is why it is always a maverick, a true vulture feeds on a society in crisis.
The second is that handled the trial with invaluable skill. Countercurrent polemicist, most famous arsonist in the sense of the word, Vargas Llosa is a Democrat who championed the culture of sacrificing freedom, even taking personal interest and, if necessary, the political cost of making a defense of tolerance and search for consensus in a society like from Peru, where corruption is common currency and careerism and practices.
The third is the discipline and perseverance as a foundation for creative work. Vargas Llosa, very young, he realized that the literature is not a mere hobby or a despicable game of cards, but an activity that involves the whole of existence. The writer is not born, but the newspaper is run. Never mind the muses, but the chisel the word day after day. For these three reasons (there are many more, of course), today celebrated the Nobel Prize for universal Peru.

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FRONT OF THE ECONOMIC

This is an event organized by the University of Zurich and to be held on October 25 this year. In times of globalization, it is important to ask how the literature faces the challenge of modernizing a speech questioning the reduction of man to the sphere of the economy. Barili participate Etienne (University of Lausanne, Switzerland), Marc Chesney (University of Zurich), Remo Ceserani (Bologna University), Sonya Florey (Higher School of Pedagogy of Lausanne) and Cozmo Camilo Fernández (Universidad San Ignacio de Loyola, Universidad Nacional Mayor de San Marcos). There are five papers, each of which lasts an hour. Later will be a discussion between the speakers and the audience.

Disertaré about the poetry of César Vallejo, Pablo Neruda, Nicanor Parra and Antonio Cisneros is a critique of modern rationality and a defense of the creativity of the subject. The title of my presentation will be "Four American poets and critics of the dominance of economics in modern times."

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PREVALENCE BACK TO ORAL LITERATURE REVISITED WESTPHALEN

One of the main trends of literary research in Latin America is the study of literature from oral tradition, is ie, one that speaks directly to popular imagination and that does not use writing as a mode of textual production. the recent publication of oral literature or literature of oral tradition (Lima. Pakarina, 2010) of Gonzalo Espino is in the field of enlargement of the corpus of our literary tradition, incorporating a rigorous analysis of neglected texts hegemonic critically.

The book is judged the hegemonic literary canon by highlighting the contribution of writers such as Adolfo Vienrich, Hildebrand Castro Pozo, Rouis Margarite D'Harcourt and Harcourt. In fact, the thorny issue of critical ideas dominant represented by José de la Riva Agüero posed corpu reduction of our production s literary and written in English, also demystifies José Carlos Mariategui, who, according to researcher San Marcos, excluded Hispanic literature stating that this was not to writing.

In oral literature ... it needs only four characteristics of this literary creation: the one that counts is the story on behalf of a community; you choose a special time to count orally, as there is a tacit agreement between the sender and receiver, we choose a given area that involves a convention (ie, a "contract") between sender and destinatatarios social and "oral text requires a constant reciprocity between the saying and the listener" (p. 38).

Antonio Cornejo Pola already pointed out that the Peruvian literature polysystem was formed, in turn, by three systems: the scholarly literature in English, that of popular literature in Castilian and literatures Aborigines. That way, made a notional extension of our literary corpus. Espino, meanwhile, tries to reconstruct the collective memory that emerges from the oral texts, emphasizing the study of discourses founding as the manuscript of Huarochirí or the testimony of Gregorio Mamani Condori. The researcher performed the analysis with expository clarity and good bibliographic information, no doubt, these texts "show the inexhaustible creativity of the people who live far from the city or on the margins of it. The literature of oral tradition is still marked by the memory of the people "(p. 53).

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Spring that was

of the season where the leaves, now green coffee before they fall, one characterized by the harsh cold with the slow torture in the vain hope that at some point again the joy and warmth of sunshine.

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cultural animator, director of several leading journals (such as Amaru and Dwellings), avant-garde writer ancestry, Emilio Westphalen Adolfo (1911-2001) brought the poetry to shine and subtlety. It was not a mere follower of the European Surrealists and was left captivated by the simple enumeration of dream metaphors. His work is an undeniable example of faith in the poetic word and fidelity to the persistent stylistic work, every word in a poem has been carefully meditated Westphalen, there is no place for improvisation or the lawless act of rational control disbelieving and are scattered in the tangle of cliches.

Mauro Marino (Ica, 1979) has just published Intertextuality in the Poetry of Emilio Adolfo Westphalen (Lima: Universidad San Ignacio de Loyola, 2010), which makes a comparative attempt to establish links between the work of the poet, and Eguren lyrical novel of Arguedas. Marino's essay begins with a balance of literary criticism that has come to the torrent of poetry Westphalen. The study comes to suggest that it has been recognized in the latter the operation of a profuse symbolism, the fragmentary the lyrical, the influence of surrealism and "hesitation and careful to observe the passage of time" (p. 41). This agenda issues identified by the investigator, allow this to will fly the hermeneutic perspective into paths dissimilar.

In the second chapter, Marino examines the correlation between European Surrealism and poetry of Westphalen looking for specific traits of Latin American surrealist poetry. Westphalen creatively assimilated the so-called "primitive thinking" out from the nineteenth-century positivism, the woman rises cosmological levels and raises the dissolution of opposites. Finally, in the last chapter, the researcher focuses on the intertextual approach noting the opposition sleep / wake and music both Eguren's poetry as that of Westphalen. It also compares the image of the river section of poems "The child the river "with which develops in Deep Rivers of Arguedas, outlining differences and similarities, the notion of learning, with dissimilar features in each case, reflected both in the avant-garde poet and the author of Peru of All bloods.

Marino's book has its merits: expository, comprehensive review of secondary literature and a comparative perspective sheds light on the fruitful relationship of poetry to the work Westphalen Eguren and Arguedas. Maybe missed delineate, with greater depth, characteristics of Latin American surrealism and clearly distinguish cultural differences between the river and Arguedas Westphalen: the presence of the Andean world in Andahuaylas writer is essential and there is no evidence, clearly, in "The Boy and the river."

In addition to the objections outlined above, I think Intertextuality in the Poetry of Emilio Adolfo Westphalen encourages discussion about a work that, increasingly, stands as a monument grows time and expands its influence, so powerful, in the mainstream of American poetry.

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A NEW TRIAL ON BLANCA VARELA

La Universidad San Ignacio de Loyola just me publish an essay on the work of Blanca Varela entitled House. Body. Blanca Varela's poetry in the mirror. This book is divided into four chapters. In the first, explore the critique of the literary work of the great Peruvian poet. In the second, I analyze the context of the generation of the fifties and attempt a first approach to This port exists. The third I focus on Waltzes and other false confessions highlighting the analysis of two poems: "Angelus Waltz" and "A rose is a rose." In the fourth, aboard the demystification of the notion of book The book of clay , one of the last poems of Blanca Varela. The focus is not adhered to a single method, but involves the operation of a methodological pluralism in order to besiege the Varela poetry from different angles.

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I wanted to continue writing here, but I have many things in my head and I could not be channeled to this blog, so maybe start a new project ... for the two readers who think I have, Thank you for wasting your time reading this nonsense ...